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Judith had been studying the problem of the rooms, and now put her question. "But where are we to have our meals?" she ventured. "I don't see any dining-room.",

Again Miss Jinny interrupted. "I got your negligees and all from Mrs. Hudson this morning," she chuckled. "She knows you won't be back, and she's just as well pleased, for she's a good chance to rent your rooms right away, and I told her to go ahead. She'll keep your things till tomorrow or the next day. Now, come along and choose bunks, though there isn't much choice, for there is only one big room with three beds in it. Mama and I are right next to you, you see.",

As he said this in a monotonous tone, Dido looked across the tree-tops to where the red roofs of "Ashantee" showed themselves against a blue July sky. She shook her fist at the distant house, and again addressed herself imperiously to Battersea, commanding:,

"I can't help it," I gulped in my sleeve. "I did use to like Alfred Bennett. My heart almost broke when he went away. I used to be beautiful and slim, and now I feel as if my own fat ghost has come to haunt me all my life. I am so ashamed! If a woman can't cry over her own dead beauty, what can she cry over?" By this time I was really crying.

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"Dr. Etwald!" repeated Mrs. Dallas, in what seemed to Jen to be a tone of relief. "Why do you think he killed Mr. Alymer?",

As her eyes grew accustomed to the flicker and motion, she searched for Elinor, and saw her at last, the center of the weird procession, standing quietly beside the chair from which she had risen, holding her head with a sweet and gracious dignity that went straight to Patricia's chilled heart.,

"So you see, we really need you. And you wouldn't have to wear anything very outlandish, you know," urged Patricia, ending up with her strongest argument. "And I'm sure Judy would love to be with Mrs. Shelly alone—they'd have so much more chance for talk together.",

Elinor hesitated. "I don't know," she replied slowly, measuring her words. "I can't put my finger on it, but she doesn't seem the same to me as she did at first. She isn't jealous of my poor work, of course, but I can feel a something—a wall or barrier—that she raises up between us whenever my work is spoken of. I felt it when we talked about the subject of the prize designs, and I felt it today more clearly than ever. We can't be friends any more as we were, I'm afraid. Something has come between us. 'The little rift within the lute,'" she quoted sorrowfully.